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CONTAX TLA 200 FLASH

1 ORIGINAL

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1/160, F7.0, ISO 400

CONTAX TLA FLASH GIVES YOU THE 80S ICONIC POINT AND SHOOT LOOK.

THE PHOTOGRAPHER USED A YELLOW GLASS FILTER IN FRONT OF LENS TO ADD THAT LITTLE GLAIRE.

PUSH THE FOCUS ALL THE WAY FORWARD. POINT AND SHOOT.

SINCE THE FLASH IS AN ON CAMERA FLASH, MAKE SURE TO KEEP SOME DISTANCE FROM THE MODEL TO AVOID OVER EXPOSED SHOTS.

THE PHOTOGRAPHER USED 50MM LENS TO SHOOT THIS SHOT.

START SETTING YOUR CAMERA ON A MANUAL MODE. TRY SETTINGS FROM (1/160, F7.0, ISO 400).

ADJUST YOUR LIGHT AND CAMERA SETTINGS ACCORDING TO YOUR ENVIRONMENT AND MODEL'S SKIN.

GEAR LIST

CLICK FOR GEAR INFO

CONTAX TLA 200 FLASH

CONTAX TLA 200 FLASH

A Contax G series flash, the low profile TLA200 offers the titanium finish to match the G series cameras, but can also be used with the SLR cameras. Ultra-compact, TTL direct metering TLA 200 flash also offers a zoom head which covers the field of view from 28, 35, 45 or 90mm.

LOW HEIGHT SPEEDLIGHTS

1

ORIGINAL

CONTAX TLA FLASH GIVES YOU THE 80S ICONIC POINT AND SHOOT LOOK.

THE PHOTOGRAPHER USED A YELLOW GLASS FILTER IN FRONT OF LENS TO ADD THAT LITTLE GLAIRE.

PUSH THE FOCUS ALL THE WAY FORWARD. POINT AND SHOOT.

SINCE THE FLASH IS AN ON CAMERA FLASH, MAKE SURE TO KEEP SOME DISTANCE FROM THE MODEL TO AVOID OVER EXPOSED SHOTS.

THE PHOTOGRAPHER USED 50MM LENS TO SHOOT THIS SHOT.

START SETTING YOUR CAMERA ON A MANUAL MODE. TRY SETTINGS FROM (1/160, F7.0, ISO 400).

ADJUST YOUR LIGHT AND CAMERA SETTINGS ACCORDING TO YOUR ENVIRONMENT AND MODEL'S SKIN.

Our Studio Partners Have Discounts for you!

STUDIO
PASS

GEAR LIST

CLICK FOR GEAR INFO

CONTAX TLA 200 FLASH

CONTAX TLA 200 FLASH

A Contax G series flash, the low profile TLA200 offers the titanium finish to match the G series cameras, but can also be used with the SLR cameras. Ultra-compact, TTL direct metering TLA 200 flash also offers a zoom head which covers the field of view from 28, 35, 45 or 90mm.

LOW HEIGHT SPEEDLIGHTS

1

ORIGINAL

CONTAX TLA FLASH GIVES YOU THE 80S ICONIC POINT AND SHOOT LOOK.

THE PHOTOGRAPHER USED A YELLOW GLASS FILTER IN FRONT OF LENS TO ADD THAT LITTLE GLAIRE.

PUSH THE FOCUS ALL THE WAY FORWARD. POINT AND SHOOT.

SINCE THE FLASH IS AN ON CAMERA FLASH, MAKE SURE TO KEEP SOME DISTANCE FROM THE MODEL TO AVOID OVER EXPOSED SHOTS.

THE PHOTOGRAPHER USED 50MM LENS TO SHOOT THIS SHOT.

START SETTING YOUR CAMERA ON A MANUAL MODE. TRY SETTINGS FROM (1/160, F7.0, ISO 400).

ADJUST YOUR LIGHT AND CAMERA SETTINGS ACCORDING TO YOUR ENVIRONMENT AND MODEL'S SKIN.

Our Studio Partners Have Discounts for you!

STUDIOPASS

STUDIO
PASS